1. [words on THENEWERYORK ISSUE 2]
*
I forgot how I stumbled upon theNewerYork folk
but their attitude instantly intrigued me
as I explored their site: http://theneweryork.com/
they felt ‘fresh’ & exciting & bold
they claimed to embrace the ‘absurd’
I saw that their second issue was released recently
I bought their second issue for 10 bucks: http://theneweryork.com/shop/issue-2/
I am listening to TEEBS as I write these words about theNewerYork
Teebs is possibly my favorite musician to listen to esp. while typing or reading
I recommend him to all
after I ordered their second issue
(the same day I ordered New York Tyrant’s new issue: http://nytyrantbooks.com/home/magazine)
I didn’t receive it for a couple of weeks
so I tweeted at them
they sent me a msg saying:
‘What! We sent it right away. Will put another one (and some extra goodies!) in the mail today!’
& it came in like 2 days w/ stickers & postcards included
I took the book down to the Baker Beach parkinglot across from my house
it was raining
yesterday
it was gray & I parked where I could see the ocean
& I read the whole magazine in one sitting while it rained a little bit
the book has 82 pages of eclectic work:
experimental Acts from plays
something like ‘prose poems’
visual art
‘guides’
a translation of ‘Baby Got Back’ from English to Latin to English again
w/ resulting lines like:
‘Welcome to rising or delete it, but the force of pull out’
&
“Oh, I want to get the child with you’
quotations in big font that are sardonic & cryptic, like:
‘Hey you, wearing the asshole sign, how about a picnic in the chamber of solitude’
there are ‘erasure’ type poems, but instead of lines being erased they are crossed out so you can still see them (obscured)
a piece called ‘Letters I Have Written to the New Yorker’
which is pretty great
some of these letters are ‘irreverent’ & ‘inappropriate’
theNewerYork is not afraid to ‘go there’
& whether they are actually letters or not
I think there is ample potential for writers to write things like that:
mock letters
mock emails
mock conversations w/ ‘known’ people
etc etc etc
it’s already happening
I don’t know if these ‘Letters’ in theNewerYork were ‘mock’ or not
they say things like:
‘I am cancelling my subscription after your use of the hideous cliché “to come out in hives” in your last issue. In my book, the phrase should only be used when describing gay bees.’
there is an experimental ‘Mediterranean Diet’ in here
I very much enjoyed the last ‘piece’ in this issue
‘The 21st Century Interlude of Daniel Lustigman’
it has somewhat of an ambiguous tone
serious & humorous
written by Justin Rossier
here’s a part of it:
‘Why’s everyone so serious? Who said that line, ‘You’ve got to laugh or we’ll all start crying’? I believe that. It’s easy to get down, the world a burden on your shoulders making you feel guilty for eating chimchangas when people are starving to death in Africa. The world’s burning up because we’ve got too many polluting factories and machines running things. But that’s human, right? We’re no good that way. We stop caring after a while. Humanity is a lazy bum, what can you do? Plough ahead, I say’
I also very much enjoyed ‘Dear Readers’ piece by Editor Joshua S. Raab
here are some pieces from it:
‘About fifty-years ago, Marshal McLuhan predicted the effects of this instant connectivity. He predicted that around this time (2012) humanity would be interconnected in a Global Village; where what happens to a man some street in China, pops up on a screen in my living room, and might as well be next door. McLuhan predicted the unification of what is now called crowdsourcing. The idea that whole swaths of the population can take an active part in solving whatever problem needs solving, as if they have a shared consciousness’
‘Simultaneously, I experience the alienation of not knowing where to begin’
‘It seems to me that we are taking part in a shared madness’
*
anyways this magazine is intriguing
I can’t say every piece gripped me, but that’s based on my own subjective ‘tastes’
I truly enjoyed the prosepoems ish work in here
theNewerYork embraces the ‘in between’
the ‘cross-genre’ or perhaps even the ‘no-genre’
the experimental & that which ‘challenges’ ‘expectations’
I admire them for this
you may not enjoy it if you desire a quiet order to a magazine
or uniformity
it’s a pocket-sized book
it made me want to explore new modes in my own writing
tones & processes & entry points
it felt ‘replenishing’ to see a magazine like this
‘absurd’ perhaps but also oddly ‘optimistic’
or at least I feel ‘optimistic’ about what ‘literature’ or ‘post-literature’ can do as I read it
I wrote this thing on the last blank page of the magazine
WHAT I WANT
surprise
images
odd turns of (il)logic
‘honesty’
spontaneity
condensation
silence
momentum
color
blend of tone
juxtaposition
paradox
vividness
cinematic
subtlety
*
& I think this magazine ultimately has all those things

    [words on THENEWERYORK ISSUE 2]

    *

    I forgot how I stumbled upon theNewerYork folk

    but their attitude instantly intrigued me

    as I explored their site: http://theneweryork.com/

    they felt ‘fresh’ & exciting & bold

    they claimed to embrace the ‘absurd’

    I saw that their second issue was released recently

    I bought their second issue for 10 bucks: http://theneweryork.com/shop/issue-2/

    I am listening to TEEBS as I write these words about theNewerYork

    Teebs is possibly my favorite musician to listen to esp. while typing or reading

    I recommend him to all

    after I ordered their second issue

    (the same day I ordered New York Tyrant’s new issue: http://nytyrantbooks.com/home/magazine)

    I didn’t receive it for a couple of weeks

    so I tweeted at them

    they sent me a msg saying:

    ‘What! We sent it right away. Will put another one (and some extra goodies!) in the mail today!’

    & it came in like 2 days w/ stickers & postcards included

    I took the book down to the Baker Beach parkinglot across from my house

    it was raining

    yesterday

    it was gray & I parked where I could see the ocean

    & I read the whole magazine in one sitting while it rained a little bit

    the book has 82 pages of eclectic work:

    experimental Acts from plays

    something like ‘prose poems’

    visual art

    ‘guides’

    a translation of ‘Baby Got Back’ from English to Latin to English again

    w/ resulting lines like:

    ‘Welcome to rising or delete it, but the force of pull out’

    &

    Oh, I want to get the child with you’

    quotations in big font that are sardonic & cryptic, like:

    ‘Hey you, wearing the asshole sign, how about a picnic in the chamber of solitude’

    there are ‘erasure’ type poems, but instead of lines being erased they are crossed out so you can still see them (obscured)

    a piece called ‘Letters I Have Written to the New Yorker’

    which is pretty great

    some of these letters are ‘irreverent’ & ‘inappropriate’

    theNewerYork is not afraid to ‘go there’

    & whether they are actually letters or not

    I think there is ample potential for writers to write things like that:

    mock letters

    mock emails

    mock conversations w/ ‘known’ people

    etc etc etc

    it’s already happening

    I don’t know if these ‘Letters’ in theNewerYork were ‘mock’ or not

    they say things like:

    ‘I am cancelling my subscription after your use of the hideous cliché “to come out in hives” in your last issue. In my book, the phrase should only be used when describing gay bees.’

    there is an experimental ‘Mediterranean Diet’ in here

    I very much enjoyed the last ‘piece’ in this issue

    ‘The 21st Century Interlude of Daniel Lustigman’

    it has somewhat of an ambiguous tone

    serious & humorous

    written by Justin Rossier

    here’s a part of it:

    ‘Why’s everyone so serious? Who said that line, ‘You’ve got to laugh or we’ll all start crying’? I believe that. It’s easy to get down, the world a burden on your shoulders making you feel guilty for eating chimchangas when people are starving to death in Africa. The world’s burning up because we’ve got too many polluting factories and machines running things. But that’s human, right? We’re no good that way. We stop caring after a while. Humanity is a lazy bum, what can you do? Plough ahead, I say’

    I also very much enjoyed ‘Dear Readers’ piece by Editor Joshua S. Raab

    here are some pieces from it:

    ‘About fifty-years ago, Marshal McLuhan predicted the effects of this instant connectivity. He predicted that around this time (2012) humanity would be interconnected in a Global Village; where what happens to a man some street in China, pops up on a screen in my living room, and might as well be next door. McLuhan predicted the unification of what is now called crowdsourcing. The idea that whole swaths of the population can take an active part in solving whatever problem needs solving, as if they have a shared consciousness’

    ‘Simultaneously, I experience the alienation of not knowing where to begin’

    ‘It seems to me that we are taking part in a shared madness’

    *

    anyways this magazine is intriguing

    I can’t say every piece gripped me, but that’s based on my own subjective ‘tastes’

    I truly enjoyed the prosepoems ish work in here

    theNewerYork embraces the ‘in between’

    the ‘cross-genre’ or perhaps even the ‘no-genre’

    the experimental & that which ‘challenges’ ‘expectations’

    I admire them for this

    you may not enjoy it if you desire a quiet order to a magazine

    or uniformity

    it’s a pocket-sized book

    it made me want to explore new modes in my own writing

    tones & processes & entry points

    it felt ‘replenishing’ to see a magazine like this

    ‘absurd’ perhaps but also oddly ‘optimistic’

    or at least I feel ‘optimistic’ about what ‘literature’ or ‘post-literature’ can do as I read it

    I wrote this thing on the last blank page of the magazine

    WHAT I WANT

    surprise

    images

    odd turns of (il)logic

    ‘honesty’

    spontaneity

    condensation

    silence

    momentum

    color

    blend of tone

    juxtaposition

    paradox

    vividness

    cinematic

    subtlety

    *

    & I think this magazine ultimately has all those things

     
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